
The action takes place on a green lawn, reset with furniture to indicate the different locations. The cast is in period costumes, & the story-telling is straightforward. Peaches play a prominent role in every scene. They are stolen, thrown at people, flung at windows & tossed by the bushel onto the stage.
I'd never heard this opera before. I found it easy to listen to & appreciated the varied orchestration, but I often thought the music did not fit the action. The quote from Tristan seems inapt, & I found it weird rather than humorous when the strings accompanied an on-stage kiss with a slide. I never got caught up in the good-natured story. Nothing is at stake.
At the end of the curtain calls, 2 members of the production team came out & took bows, standing awkwardly apart from the rest of the performers. Mr. Maazel had to duck out of the way of the curtain when it came down unexpectedly soon while we were still applauding. On the way out, I heard someone in the audience humming one of the opera's jaunty themes.
§ Albert Herring
Castleton Festival Opera
Lorin Maazel, Artistic Director & Conductor
William Kerley, Stage Director
Berkeley Symphony
Lady Billows, Nancy Gustafson
Florence Pike, Kristin Patterson
Miss Wordsworth, Ashleigh Semkiw
Mr. Gedge, Alexander Tall
Mr. Upfold, Tyler Nelson
Superintendent Budd, Benjamin Bloomfield
Sid, Adrian Kramer
Albert Herring, Brian Z. Porter
Nancy, Tammy Coll
Mrs. Herring, Rachel Calloway
Emmie, Daphne Williams
Cis, Emma Thvedt
Harry, Andres Beck-Ruiz
Cal Performances
Sat, Mar 26, 8 pm
Zellerbach Hall
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