Act II tells a separate story about a round-the-world search for the hard nut that will undo a princess's unfortunate disfigurement. The national dances appear in weirdly satirical versions, such as an Arabian dance featuring a highly suspect figure in a burqa. The Waltz of the Flowers is another highlight. It's cheeky, unclassical & rude, yet also beautiful. At times it reminded me of a synchronized swimming routine.
The large sets by comic book illustrator Charles Burns are distinctive & creepy & do not feel at odds with Tchaikovsky's often sinister score. The Berkeley Symphony, led by George Cleve, sounded great. There were nice woodwind solos, & the orchestra had a velvety texture. The music flowed soothingly. I loved hearing the Piedmont East Bay Children's Choir sing from the stage.
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§ The Hard Nut
Mark Morris Dance Group
Music by Tchaikovsky (The Nutcracker)
Choreography by Mark Morris
Production based on the work of Charles Burns
Berkeley Symphony Orchestra
George Cleve, conductor
Piedmont East Bay Children's Choir
Robert Geary, artistic director
Marie: Lauren Grant
Fritz: June Omura
Louise/Princess Pirlipat: Jenn Weddel
Dr. Stahlbaum/King: Mark Morris
Mrs. Stahlbaum/Queen: John Heginbotham
Housekeeper/Nurse: Kraig Patterson
Drosselmeier: Billy Smith
Nutcracker/Young Drosselmeier: Aaron Loux
Barbie Doll: Chelsea Lynn Acree
Robot: Spencer Ramirez
Sat, Dec 15, 8 pm
Cal Performances, Berkeley
Zellerbach Hall
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