Andrew Norman's A Companion Guide to Rome for string trio is a set of 9 pieces corresponding to the architecture of various Roman churches. The music is restless & astringent & employs slides & extreme pitches. The trio played with grit & determination. In one piece the violist moved to a music stand behind the other musicians & played with his back to the audience. His music included squeaks & crunching double-stops. The violinst did likewise in another section, playing notes in dog whistle territory. After a loud, rocking penultimate movement, the piece ends quietly.
When the audience returned after a long intermission, violinist & Artistic Director Anna Presler embarrassingly informed us that a speaker would not turn on, so they would have to postpone the premiere of violist Kurt Rohde's new piece, which required electronics. The program ended with Debussy's Sonata for Flute, Viola, & Harp. Mr. Rohde is a brawny player & states everything with confidence. Harpist Karen Gottlieb has nice dynamic control, & I liked the floaty feel of the 1st movement.
I received a cookie-like treat for turning in my audience questionnaire during the intermission, & there was a drawing for tickets to Attila at San Francisco Opera the following night.
§ Delicacies for Diverse Ensembles
Left Coast Chamber Ensemble
Yu-Hui Chang • Under a Dim, Orange Light (2012) WORLD PREMIERE
Stacey Pelinka, flute; Kurt Rohde, viola; Michael Goldberg, guitar
Manuel de Falla • Le tombeau de Claude Debussy for Guitar, G.56 (1920)
Michael Goldberg, guitar
Andrew Norman • A Companion Guide to Rome for String Trio (2010)
Anna Presler, violin; Kurt Rohde, viola; Tanya Tomkins, cello
Claude Debussy • Sonata for Harp, Flute and Viola, L.137 (1915)
Stacey Pelinka, flute; Kurt Rohde, viola; Karen Gottlieb, harp
Monday, June 11, 2012 at 8 pm
Dennis Gallagher Arts Pavilion
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