
Tenor Michael Dailey as Faust is a tall & attractive figure. He has an unusual voice which is light & sounds as if it's coming through cardboard. Soprano Jouvanca Jean-Baptiste has a weighty, dramatic sound & projected a mature Marguerite. The audience got nervous when the staging required her to climb a flight of wobbling, free-standing stairs representing her house. Bass Silas Elash, wearing a feathered cap, was a rakish & swaggering Méphistophélès. He has a big, open sound, especially at the top. Baritone Evan Brummel's Valentin was solid & grounded, & mezzo Betany Coffland's Siébel sounded bright & girlish. Conductor David Rohrbaugh set a relaxed pace, starting with an unhurried overture. The orchestra, & particularly the woodwinds, played with a sense of ease. I enjoyed hearing the auditorium's powerful theater organ in the cathedral scene & at the ending.
The staging by Brad Dalton had its surprises. Four dancers act as minions of Méphistophélès, though neither he nor anyone else seems to see them. Before act 2, a little girl in a white dress appears in front of the curtain. She seems to be Marguerite's dead sister, & her presence & supernatural powers are creepy. I found it odd when characters entered Marguerite's house through a hidden door in a backdrop painted with an outdoor scene.
The supportive audience was engaged, & many stood when Mr. Elash came out for his curtain call. During the 2nd intermission, Oboeinsight, who is playing in these performances, shared with the Opera Tattler & me her musical insights into this enduringly popular opera.
§ Faust
Charles Gounod
Opera San José
Conductor, David Rohrbaugh
Stage Director, Brad Dalton
Faust, Michael Dailey
Méphistophélès, Silas Elash
Marguerite, Jouvanca Jean-Baptiste
Valentin, Evan Brummel
Marthe, Heather Clemens
Siébel, Betany Coffland
Wagner, Sepp Hammer
Sat., April 21, 2012 8 p.m.
No comments:
Post a Comment