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The Psalm settings sometimes sounded operatic rather than liturgical, & each piece contained some virtuosic passages for the soloists. I enjoyed soprano Michele Byrd's clear, slightly metallic sound & her very clean attack. Soprano Jennifer Paulino made smooth octave leaps in the "Confessio et magnificentia" of the Pergolesi. I liked her high-flying "Cum dederit dilectis" solo in Galuppi's Nisi Dominus, as well as the picturesque soprano duet "Gloria Patri et Filio," in which she held a very long, pretty note.
Vivaldi's Dixit Dominus took up the 2nd half. Tenor Brian Thorsett sang the sustained 16th-note runs of "Dominus a dextris" with ease. I was startled by the entrance of the natural trumpet at the beginning of one of the choruses. The instrument was quite exposed & played cleanly but for one unfortunate mishap right at the end. Another surprise was when Mr. Flight turned around & sang the "De torrente" aria from the podium in his firm counter-tenor voice.
Toward the end of the Galuppi in the 1st half, a violinist's string broke with a loud pop, & the performance came to a halt for several minutes while the player ran off-stage to replace it. Mr. Flight turned to the audience & said, "This is the perils of a popped string." During the intermission, home-made refreshments were offered for a dollar "in the room behind the narthex."
§ Chora Nova
Paul Flight, Artistic Director
Michele Byrd, soprano
Jennifer Paulino, soprano
Paul Flight, counter tenor
Brian Thorsett, tenor
Vivaldi Discovered!
Psalm settings from the Italian Baroque
Giovanni Battista Pergolesi - Confitebor tibi Domine
Baldassare Galuppi - Nisi Dominus
Antonio Vivaldi - Dixit Dominus, RV 807
First Congregational Church of Berkeley
Saturday, May 28, 2011, 8PM
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