Last night I somehow found myself at the opening night party for the Mostly British Film Festival, even though I was not on the guest list & I had no intention of attending the actual opening night film. Nonetheless, I chatted with a film buff, ate some appetizers, drank a British beer, & had my picture taken with my companion in the posh premises of the Thomas Pink shirt shop.A little later in the evening we made it to the Yerba Buena Center for the Arts screening room for Jacques Tati's Trafic. I had only seen this once before many years ago, & I remember thinking it a sad come-down from Playtime. I had forgotten much of it, as it turns out, &, while I still don't think it a good film, it is very much a Tati film. The choreographed car pile-up scene is a slow-motion ballet. The 5-year-old in me loved the montage of drivers caught picking their noses in the supposed privacy of their cars. I even liked the strange plaster busts being given away as premiums at a gas station. So not a total failure, & I am glad to have seen it again as part of this series.
Between events I experienced a classic demonstration of how small San Francisco is. Stopping to get something to eat at a place halfway between the opening night party & the movie, I sat down & found myself right next to beastly blogger John Marcher, who, despite a week reporting from Sundance, regretted missing Ensemble Parallèle's Wozzeck.
No comments:
Post a Comment