The female singers all had strong voices. Soprano Ainhoa Arteta as Alice sounded consistently sturdy. Contralto Meredith Arwady's voice was robust, & she played Dame Quickly with a bold sense of fun. Baritone Fabio Capitanucci was a theatrical Ford & fell to the floor when giving vent to his character's jealousy in act 2. The voice of tenor Francesco Demuro as Fenton rang out clearly, with a bit of tension in his high notes. Tenor Joel Sorensen put a lot of character into his singing & physical acting as the bandy-legged Dr. Caius. Bass Andrea Silvestrelli was Pistola, & his deep, orotund voice is so distinctive that it popped out at me whenever he opened his mouth.
The set was composed of flat wooden surfaces & looked similar for all scenes. It was perhaps meant to evoke a Renaissance stage. A large trapdoor hinged up from the middle of the floor to represent the Garter Inn, making it look like Falstaff lived in a giant, brick-lined clam shell. A lot of white laundry linen is tossed in the air during the scene in Ford's house.

§ Falstaff
Music by Giuseppe Verdi
San Francisco Opera
Conductor: Nicola Luisotti
Director: Olivier Tambosi
Falstaff: Bryn Terfel
Alice Ford: Ainhoa Arteta
Nannetta: Heidi Stober
Dame Quickly: Meredith Arwady
Fenton: Francesco Demuro
Ford: Fabio Capitanucci
Meg Page: Renée Rapier
Bardolfo: Greg Fedderly
Dr. Caius: Joel Sorensen
Pistola: Andrea Silvestrelli
Wed 10/30/13 7:30pm
War Memorial Opera House
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