Photo credit: Mingzhe Wang |
After briefly speaking to the audience, Mr. Andres played Schumann's Waldszenen with efficiency & familiarity. He has long slim fingers, & in the most rapid passages his hands became blurs. He often used the pedal to create smears. The Schumann was paired with 2 short movements from his own It takes a long time to become a good composer, which features percussive & fragmentary bits of chords & arpeggios. The ending was abrupt.
The Three Mazurkas by Adès were brief and had a dance-like feel. There were a lot of cascading notes, short notes, & notes at the extremes of the keyboard.The third mazurka had a dark, mysterious atmosphere. These were paired with Chopin's Polonaise Fantasie, which Mr. Andres played with a halting feel that made it sound like another Adès piece. He made a very big sound with the double trills, & the audience laughed at the quick release he made on the final chord.
The salon audience was appreciative & made many complimentary comments during the Q&A following the hour-long recital. Mr. Andres described At the River as an homage to minimalist composers & said It takes a long time to become a good composer was "disintegrated Schumann." Someone asked if the popped-in high notes in At the River were meant to be programmatic, & Mr. Andres replied that they were there for resonance & because "they sounded good."
Mr. Andres read his music off an iPad, though he seemed to have much of the program memorized. He was also featured in a San Francisco Performances concert in Herbst on Friday, which similarly paired his music with Schumann.
§ Timo Andres, piano
Salon at the Rex
At the River (2010) -- Andres (b. 1985)
Waldszenen (Forest Scenes), Op. 82 -- Schumann (1810-1865)
from It takes a long time to become a good composer -- Andres (b. 1985)
2. Everyone wants to be something they're not or,
Pierrot on 88th St.
4. Please let me sleep in your entrance hall or,
Pantalon & Columbine
Three Mazurkas, Op. 27 -- Ades (b. 1971)
Polonaise Fantasie -- Chopin (1810 - 1849)
Wednesday, March 27, 6:30pm
Hotel Rex
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