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Photo credit: Mingzhe Wang |
After briefly speaking to the audience, Mr. Andres played Schumann's Waldszenen with efficiency & familiarity. He has long slim fingers, & in the most rapid passages his hands became blurs. He often used the pedal to create smears. The Schumann was paired with 2 short movements from his own It takes a long time to become a good composer, which features percussive & fragmentary bits of chords & arpeggios. The ending was abrupt.
The Three Mazurkas by Adès were brief and had a dance-like feel. There were a lot of cascading notes, short notes, & notes at the extremes of the keyboard.The third mazurka had a dark, mysterious atmosphere. These were paired with Chopin's Polonaise Fantasie, which Mr. Andres played with a halting feel that made it sound like another Adès piece. He made a very big sound with the double trills, & the audience laughed at the quick release he made on the final chord.

Mr. Andres read his music off an iPad, though he seemed to have much of the program memorized. He was also featured in a San Francisco Performances concert in Herbst on Friday, which similarly paired his music with Schumann.
§ Timo Andres, piano
Salon at the Rex
At the River (2010) -- Andres (b. 1985)
Waldszenen (Forest Scenes), Op. 82 -- Schumann (1810-1865)
from It takes a long time to become a good composer -- Andres (b. 1985)
2. Everyone wants to be something they're not or,
Pierrot on 88th St.
4. Please let me sleep in your entrance hall or,
Pantalon & Columbine
Three Mazurkas, Op. 27 -- Ades (b. 1971)
Polonaise Fantasie -- Chopin (1810 - 1849)
Wednesday, March 27, 6:30pm
Hotel Rex
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