Before the set of 3 Sarasate showpieces, Mr. Chen explained that he was “putting the dessert first,” because when he added Beethoven’s Kreutzer Sonata to the program, he realized there wasn’t anything that could follow it. He dispatched Sarasate's virtuosic challenges with suave ease. The audience reacted audibly to the left hand pizzicato, & he executed a startling run of staccato notes starting from the bottom of the bow in the Habanera. His tone was consistently sweet & pleasing. I enjoyed the singing, contralto-like sound he made on the G string in the lyrical Playera. He impressively controlled the audience’s silence at the end as well. The Zigeunerweisen was very rapid without feeling out of control, & the audience responded with cheers.
Before the Kreutzer Sonata, the accompanist Mr. Elizalde humorously told the story of the piece’s premiere. Noting that it was once titled a “Sonata for Piano with Violin Obbligato,” Mr. Elizalde declared, ”The Beethoven is mine!” His playing was weighty & even, with a sense of deliberation behind each note. Mr. Chen was contrastingly airborne & a bit flighty. In the 32nd-note variation of the 2nd movement, Mr. Elizalde lost some notes, & the performers came close to dragging in the minor variation. The audience applauded after the monumental first movement & gave a standing ovation at the end. When Mr. Chen returned for encores, he apologized for coughing during the Beethoven, as he had a cold. At the conclusion of the Meditation from Thais, he again got the audience to maintain an extended silence.
§ Annual Gift Concert
San Francisco Performances
Sponsored by Camilla & George Smith
Ray Chen, violin
Julio Elizalde, piano
MOZART: Violin Sonata in A Major, K. 305
SARASATE: Spanish Dances, Opus 21, No. 2 “Habanera”
SARASATE: Spanish Dances, Opus 23, No. 5 “Playera”
SARASATE: Zigeunerweisen, Opus 20
BEETHOVEN: Violin Sonata in A Major, Opus 47 “Kreutzer”
Encores:
SARASATE: Introduction and Tarantella, Op. 43
MASSENET: Meditation from Thais
Monday, March 10, 2014, 7:30pm
SFJAZZ Center
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