The Eagleman Stag (Mikey Please, England, 9 min)
Intricate stopmotion animation of a fragile world painstakingly constructed of white paper. The visuals illustrate the bitter, existential musings of a world-weary entomologist.
Plato (Léonard Cohen, France, 8 min)
A wordless film combining stopmotion & drawing. A 2-dimensional figure pops in and out of the 3-dimensional world.
How to Feed the World? (Denis Van Waerebeke, Poland, 10 min)
An animated infographic explaining world hunger & food dependency in the schematic style of an airplane safety card. Problems arise because humans can't photosynethesize and there is a market for food.
The Lost Town of Switez (Kamil Polak, Poland, 21 min)
A hallucinatory mashup of computer animation, painting & the imagery of Eastern Orthodox icons. The mix of visual styles is spooky & disconcerting.
Sidewalk Scribble (Peter Lowey, Australia, 3 min)
Wittily animated street sketches, set dancing to a Hungarian Rhapsody by Lizst. I enjoyed its improvisational feel & the observational quality of the drawings. It's the one film I immediately wanted to watch again.
Paths of Hate (Damian Nenow, Poland, 10 min)
A computer-animated battle between to nihilistic 2 fighter pilots, in the style of old war comics. The film takes its violence very seriously & is both slick & very gory.
A Morning Stroll (Grant Orchard, England, 7 min)
In the sick humor category, this film tells the same anecdote about a chicken 3 times. Each retelling is in a different style & becomes grosser & grosser. It's satirical silliness made everyone in the audience laugh.
Chroniques de la poisse / Sticky Ends (Osman Cerfon, France, 7 min)
More sick humor, expressed with flat, crude drawings & a cruel but deadpan sense of humor. Grotesque, violent deaths come to innocent people who cross paths with a dejected fish.
Luminaris (Juan Pablo Zaramella, Argentina, 6 min)
Zany story set to a tango that uses pixilation to animate live actors in a fanciful lightbulb factory. Most impressive are the outdoor shots in which actors glide down the streets along with the sun's pixilated shadow.
§ The Best of Annecy 2011
Friday, January 13 & Sunday, January 15
SF Film Society Cinema
§ Picture credit: Sticky Ends, Osman Cerfon
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