
From my seat in the 1st tier the orchestra sounded attenuated & pale, especially the strings, which were slightly reduced. There were only 7 cellos & 6 basses. Concert master Alexander Barantschik played deep into his strings for his expansive solos in the Benedictus, sounding sustained & solid. MTT's pacing was relaxed, even & a bit sedate. He did not push for big climaxes. There was a nice pianissimo at the end of the "Et incarnatus est." The theatrical trumpet call in the Agnus Dei sounded far-off & subdued. The audience was quiet during the long, restful pauses MTT took between sections. The piece's unusual ending, which simply pulls back & then up, felt both instantaneous & conclusive. The audience gave the performance a standing ovation, with the biggest applause going to the chorus.
§ MTT conducts Beethoven’s Missa solemnis
San Francisco Symphony
Michael Tilson Thomas, conductor
Christine Brewer, soprano
Katarina Karnéus, mezzo-soprano
Gregory Kunde, tenor
Ain Anger, bass
San Francisco Symphony Chorus
Ragnar Bohlin, director
Beethoven: Missa solemnis
Thu, Jun 23, 2011 8:00pm
Davies Symphony Hall
No comments:
Post a Comment