Opera San José opened their 33rd season, & on Sunday I attended their production of Lucia di Lammermoor. Soprano Sylvia Lee sang & acted the title role so proficiently that it seemed almost light for her. Her voice was clean, pretty & smooth throughout, & it cut through to the ear without being loud. Her Lucia was frightening in the mad scene & looked both scared & dangerous. I liked that the staging had her interacting with other characters, who were not able to keep sharp objects out of her hands.
Tenor Kirk Dougherty's wide-eyed Edgardo looked constantly startled. He made an effortful sound that evinced muscle & stamina, & he was unfailingly strong all the way through his death scene. As Enrico, baritone Matthew Hanscom was big-voiced & appropriately blunt & bullying. Bass Colin Ramsey was a benign Raimondo, his voice clear, soft-edged & slightly slender. Tenor Michael Mendelsohn was a scene-stealing Arturo, comically preening & leering. The relatively small chorus sang cohesively.
The orchestra sounded balanced under conductor Ming Luke, & it was nice that his beat could be flexible. I was fortunate to be seated just 3 rows from the stage, & it was interesting to observe the flutist stand up in the pit & turn to face the stage when she accompanied Lucia's mad scene.
Opera San José has a new ticket design which helpfully displays the seat number in a large font. It was fun to break the fourth wall during intermission by chatting with Oboeinsight, who tried to convince me that the oboe is actually not that hard to play.
§ Lucia di Lammermoor
Music by Gaetano Donizetti | Libretto by Salvadore Cammarano
Opera San José
Conductor, Ming Luke
Stage Director, Benjamin Spierman
Lucia, Sylvia Lee
Edgardo, Kirk Dougherty
Enrico, Matthew Hanscom
Alisa, Anna Yelizarova
Normanno, Yungbae Yang
Arturo, Michael Mendelsohn
Raimondo, Colin Ramsey
Opera San José Orchestra, Chorus, Dancers and Supers
Sunday, September 11, 2016, 3p
California Theatre, San Jose