On a Friday night earlier this month, I was slowed by horizontal rain & a toppled tree at Van Ness & Geary but arrived at the SF Conservatory of Music just in time for Cappella SF's concert of choral works by Conrad Susa & David Conte. The 24-member chorus were clearly rigorously rehearsed by conductor Ragnar Bohlin. They sounded precise & had a transparent, narrow sound. Intonation was clean, & the cut-offs at the ends of words were exact. Though the works were settings of secular texts, the entire performance felt reverential & devotional.
Pianist Keisuke Nakagoshi provided a colorful accompaniment to Susa's Six Joyce Songs, playing fluid runs & trills. Conte's rhythmic Invocation and Dance was accompanied by piano four hands & 2 percussionists on a variety of xylophones.
Mr. Conte made friendly introductory remarks before the performance & received a warm ovation from the audience at the end. The intermissionless program ran about an hour and was followed by a crowded reception. I had a glass of wine, was introduced to a woman operatically named Carmen, & learned that Cappella SF had already recorded this music for a CD which is yet to be released.
§ Music by Conrad Susa and David Conte
Cappella SF
Ragnar Bohlin, conductor
Conrad Susa: Six Joyce Songs, Volume II (1984)
Keisuke Nakagoshi, piano
David Conte: A Whitman Triptych
Rita Lilly, soprano
Jonathan Thomas, tenor
Matthew Peterson, baritone
Conrad Susa: Landscapes and Silly Songs (1987; revised 2010)
David Conte: Invocation and Dance (1986; revised 1989)
Keisuke Nakagoshi & Kevin Korth, pianists
Artie Storch & Stan Muncy, percussionists
David Conte: The Composer (2002)
SFCM Concert Hall
Friday, 06 February, 2015 | 08:00 PM
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