On Monday afternoon at the San Francisco International Film Festival, I saw The Iron Ministry, a film consisting entirely of footage shot aboard China's railway system between 2011 & 2013. The film is structured as if we were on one continuous train ride, & it's part cinematic poem & part observational documentary. The film begins with an eerie, abstract sequence consisting of the scraping sounds of the train & indistinct shapes rocking in darkness. In long takes, the camera moves through a wide range of environments on the trains, from overcrowded cars carrying farmers with baskets full of fresh meat & vegetables, to modern 1st class carriages with barely any passengers. In one scene, the camera wends its way through a car at floor level, so we can see the variety of footwear worn by riders. Another shot follows a broom as it sweeps passengers' trash into a huge mound.
The film has no commentary, but director J.P. Sniadecki captures small, telling vignettes. Early on, a motor-mouthed little boy delivers a brilliant, scatalogical parody of the train announcements. We witness a vaguely confrontational conversation between 2 Muslim & 2 Han Chinese men. A man without an ID, who seems to be an ethnic minority, is taken off the train. 2 women warily discuss salaries, jobs & age. Sometimes we hear Mr. Sniadecki off-camera speaking Mandarin as he interviews people directly. A friendly railroad employee is suddenly nonplussed when he learns his voice is being recorded. The general impression is of a society experiencing rapid change.
The festival screening was full, & I sat next to a Chinese-speaking couple. 2 people nearby me checked their cellphones during the movie.
§ The Iron Ministry
Director: J.P. Sniadecki
2014, China/USA, 83 mins.
§ 58th San Francisco International Film Festival
April 24, 2015 7:00 p.m. Sundance Kabuki Cinemas
April 25, 2015 4:00 p.m. Pacific Film Archive Theater
May 4, 2015 4:00 p.m. Sundance Kabuki Cinemas
Sounds like "Snowpiercer" without Chris Evans and Tilda Swinton.
ReplyDeleteI haven't seen it, but you might be right! There's one moment where the camera is pushed out of a train's dining car, but I'm surprised the director wasn't thrown off the trains constantly.
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